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Identifying Computer-Generated Faces

It’s the eyes:

The researchers note that in many cases, users can simply zoom in on the eyes of a person they suspect may not be real to spot the pupil irregularities. They also note that it would not be difficult to write software to spot such errors and for social media sites to use it to remove such content. Unfortunately, they also note that now that such irregularities have been identified, the people creating the fake pictures can simply add a feature to ensure the roundness of pupils.

And the arms race continues….

Research paper.

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Detecting Deepfake Picture Editing

“Markpainting” is a clever technique to watermark photos in such a way that makes it easier to detect ML-based manipulation:

An image owner can modify their image in subtle ways which are not themselves very visible, but will sabotage any attempt to inpaint it by adding visible information determined in advance by the markpainter.

One application is tamper-resistant marks. For example, a photo agency that makes stock photos available on its website with copyright watermarks can markpaint them in such a way that anyone using common editing software to remove a watermark will fail; the copyright mark will be markpainted right back. So watermarks can be made a lot more robust.

Here’s the paper: “Markpainting: Adversarial Machine Learning Meets Inpainting,” by David Khachaturov, Ilia Shumailov, Yiren Zhao, Nicolas Papernot, and Ross Anderson.

Abstract: Inpainting is a learned interpolation technique that is based on generative modeling and used to populate masked or missing pieces in an image; it has wide applications in picture editing and retouching. Recently, inpainting started being used for watermark removal, raising concerns. In this paper we study how to manipulate it using our markpainting technique. First, we show how an image owner with access to an inpainting model can augment their image in such a way that any attempt to edit it using that model will add arbitrary visible information. We find that we can target multiple different models simultaneously with our technique. This can be designed to reconstitute a watermark if the editor had been trying to remove it. Second, we show that our markpainting technique is transferable to models that have different architectures or were trained on different datasets, so watermarks created using it are difficult for adversaries to remove. Markpainting is novel and can be used as a manipulation alarm that becomes visible in the event of inpainting.

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